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Body Image Part I: The Ick Factor of Certain Bodies

2 Jun

Contemporary pair(Image by Luca Rossato used under CC via)

 

“Did you do it to function better or to look normal?” 

This is Number One question about limb-lengthening for people with dwarfism, and it opens the Pandora’s box of Body Image, a topic that, no matter who you are, lends itself to resolution no more easily than does Religion.  But as I begin a series on the depths of our own feelings about our bodies, I want to first tackle the biggest influence of our self-worth: i.e., others’ opinion.  After all, if we were fully convinced that no one else cared one bit what we looked like, how much would we care?

The answer to that may not be easy, but the Number One reason why any of us care what others think about our looks certainly is.  It’s all about Dating.  Getting laid.  Finding a mate.  Every parent of a child with dwarfism is warned at Little People of America meetings that whatever ostracizing goes on in elementary school will be outdone by the perils of puberty.  The mainstream often dismisses this as an unfortunately natural stage of development, but people designated as minorities by the mainstream know that it is merely an introduction to what lies beyond adolescence.  Too often the adult world dodges any responsibility it bears for the lookism young people embrace. 

Whether following conventional or unconventional beauty standards, adults obsess over unattractiveness.  We are simply less blunt than teenagers, but therein all the more insidious, disguising our trashing of others as the (pseudo-)philosophy of having a “type”:  

“I just need a really well-built man.  I can’t get into skinny guys.” 

“I mean, I don’t want to be taller than my man.  No one does.” 

“I’d honestly be grossed out if I found out my date was transsexual.”

“I do not like hairy bodies.” 

Whatever.  We all do it, but we do it way too much.  Most of us can see patterns to our attractions, but the more we talk about it, the more we cultivate it in our minds, convincing ourselves that it’s what we need in order to be turned on.  Which at best really does nothing—does it really help to weed out people in a crowd based on their bodies before we even talk to them?  is there some efficiency to dating that you get points for?—and at worse, limits our experiences and nurtures the dangerous misconception that beauty standards are immovable objects. 

A coworker of mine once claimed, “I’m not racist, but I’m just not attracted to black girls.”  Dude.  Forgetting for a moment that starting any sentence with “I’m not a racist, but—” is possibly one of the least convincing ways to exonerate yourself, are you sure of this because you’ve never been attracted to black girls before?  By that logic, I’m just not attracted to Slovakian guys.  Or Sri Lankan guys.  Or Cornish guys.  Or Oklahoman guys.  Or… wait a minute, this could go on for a while.  Even if you are set in your ways and for some reason believe this helps you, what good does it do to voice it? 

Granted faces and bodies evoke visceral feelings that transcend reason.  Attraction itself is never a choice.  But history has proven that disgust at the idea of interracial or international relationships is the result of social conditioning, and likewise homophobia, transphobia, lookism and ableism thrive thanks to the open support they are given in the media and in everyday conversation.

The battle against lookism is too often dismissed as hopeless by the simplified assertion that “people like to look at pretty people, end of story.”  Yes, we do.  But the definition of “pretty” is too often assumed to be universal, somehow rooted in our biological urge to choose a mate whose genes are resilient.  Studies of history and across cultures prove the definition is socially constructed.  Pale has been considered at times beautiful and at other times sickly.  Tan has been sometimes seen as gorgeous and other times derided on racist grounds.  Round and curvy is sometimes good and sometimes bad.  Skinny is sometimes good and sometimes bad.  Our supposedly “natural” repulsion at signs of unhealthiness is as random as fashion itself, often disenfranchising disabled individuals while simultaneously promoting faces injected with poison, lungs too constricted to breathe properly, bodies too lacking in fat to menstruate, not to mention blue and green eyelids.  Mentioning our repulsion at others’ natural physical features can be so unproductive, so paranoia-inducing, so ultimately responsible for others’ self-hatred.  This why I admire anyone who fights whatever temptation they have to describe what they dislike by instead describing what they love. 

When we tell our loved ones what exquisite hair or adorable hands or gorgeous eyes they have, it’s more a display of affection than a statement of what we require to be intrigued.  When we tell someone, “You are so beautiful,” it’s a testament to the sum of their parts, the combination of their perfections and imperfections.  And there’s nothing wrong with discussing styles or personas one finds attractive.  Gentle voices, deep voices, explosive laughter, sly eyes, short hair, long hair, a graceful step, a firm step, an assertive look, a cool stance; understanding why any of this draws one in leads to more awareness of one’s own character.  It also sparks dialogue that challenges the bland beauty standards of the day. 

But someone’s physical traits alone are superficial—not to mention transient—and placing any real value on them is shallow.  We all have our shallow sides, but we should be embarrassed to advertise them too openly, the way sitcom directors should be embarrassed to have the audience squeal when two characters kiss.

 

 

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Pfingsten

26 May

 

It’s Memorial Day weekend in the U.S., Pentecost weekend here in Germany, and seeing as I have now gone way longer in broadcasting consecutive new material without a single re-run than The Simpsons ever has, I’m taking the day off and leaving you with the above revelation.  Till next week!


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The Gender Police

5 May

(Image by Stephen Alcorn © 2003 http://www.alcorngallery.com)

 

Last Sunday, Pastor Sean Harris of the Berean Baptist Church in Fayetteville, North Carolina gave a sermon on gender:

So your little son starts to act a little girlish when he is 4 years old and instead of squashing that like a cockroach and saying, ‘Man up, son, get that dress off you and get outside and dig a ditch, because that is what boys do,’ you get out the camera and you start taking pictures of Johnny acting like a female and then you upload it to YouTube and everybody laughs about it and the next thing you know, this dude, this kid is acting out childhood fantasies that should have been squashed.

Dads, the second you see your son dropping the limp wrist, you walk over there and crack that wrist. Man up. Give him a good punch. Ok? You are not going to act like that. You were made by God to be a male and you are going to be a male. And when your daughter starts acting too butch, you reign [sic] her in. And you say, ‘Oh, no, sweetheart. You can play sports. Play them to the glory of God. But sometimes you are going to act like a girl and walk like a girl and talk like a girl and smell like a girl and that means you are going to be beautiful. You are going to be attractive. You are going to dress yourself up.’

Harris used the sermon to voice support for an upcoming proposed amendment to the state constitution that would define marriage as between a man and a woman.  North Carolina law already prohibits same-sex marriage.  The constitutional amendment would simply make it ever more so, as well as ban same-sex civil unions.  Update on 9 May: The amendment passed.

The hostility Harris invoked is one of the absolute best arguments for the opposition.  Play his sermon on a loop next to the 2010 study finding American children of lesbian parents report the lowest rate of abuse and repeat: Who’s advocating happy, loving families here?  But it should concern not only those who believe in same-sex marriage or non-violent childcare, but anyone who believes in equality and a non-threatening approach to character development.  Because, unfortunately, Harris was merely saying directly what children, teens and adults are told stealthily almost every day.  

In the 2007 documentary For the Bible Tells Me So, religious scholars and sociologists conclude that the reason socially conservative religious groups target same-sex marriage so passionately is because it disrupts patriarchy.  Indeed, Harris’s rant embodies the two most arbitrary, constricting rules for heterosexual women and men in dating that endure today.  That is, nothing is worse for a guy than seeming effeminate, and nothing is worse for a woman than being ugly.

Most readers may agree that these rules exist but certainly not to the extreme that Harris advocates.  Rarely does Western society openly invoke the violent, threatening imagery he did.  But these rules take various forms, often masquerading as indisputable facts about innate gender differences, and are reinforced in films and magazines, and as mantras in everyday conversation. Many of the following probably sound familiar to you:

1) Women constantly want to constantly shop the way guys constantly want to get laid.

2) A woman should ultimately let the guy pursue her lest she emasculate him and, in any case, she should want to be pursued.  Because every woman is a princess and every guy is a hunter.

3) Guys can’t be sexually assaulted by women.  They can only be grossed out by the advances of ugly women.

4) She can play sports or join the army, but she needs some makeup to be attractive and should always take care of her looks more than a guy should.

5) But she shouldn’t wear heels if it makes her taller than her man.

6) While many men can expect conventionally attractive women to overlook their gray hair, baldness, wrinkles, and/or chubbiness for their success or sense of humor, a woman cannot expect a conventionally attractive man to do the same for her.  Beauty and the Beast was about the woman seeing past her lover’s looks, not the guy! 

7) Guys don’t cry, but women do.  A lot.  Because guys use assertiveness to get what they want, while women show their vulnerability to get what they want.

8) Guys don’t cuddle with each other.  That’s gay.  But women cuddling is either sweet or hot.

9) He’s castrated if she asked him out, she’s physically stronger than he is, he earns less than she does, he takes her surname, or she talks more than he does at parties. 

10) And he’s gay if he’s interested in dresses, skirts or makeup.

11) Or if he enjoys books or films about women’s experiences.

What silliness. Exiling the very real horrors of LGBT persecution to the peripheries for just a split second, how many of you nearly choked yourself laughing at Harris’s order to “get outside and dig a ditch because that’s what boys do”? 

Nothing should be off-limits to anyone unless they honestly, independently have no interest in it.  Most of us are probably disinterested in or uncomfortable with some of the aforementioned behaviors, but the disinterest should arise from self-awareness, not authoritative training.  And I’ve met enough self-aware, self-confident individuals to know that these behaviors do not fall along gender lines, but personalities. 

My neighbor loves ponies as much as she loves repairing cars.  My husband’s buddy plays rugby and knits.  My guyfriend loves arranging flowers and wearing skirts as much as he loves target-shooting and watching Formula One.  I love arguing politics and watching figure skating with my mom and dad as much as I cringe at discussing shoes or watching football.  All of us are encouraged by our partners, demonstrating that our fears of persecution for such gender-bender are usually reinforced not by the opposite sex but, as Ashely Judd so eloquently pointed out last month, by our peers. 

Many men try to talk their girlfriends out of wearing makeup, while many women are supportive of—and often intrigued to the point of being attracted to—men who adopt traditionally feminine activities.  (If it weren’t the case, “Too bad he’s gay!” wouldn’t be the famous expression it is.)  Despite this, women thrust ludicrous beauty standards upon themselves, making catty comments about each other’s supposed failures, while men police one another with gay slurs.  That these cultural rules bear so much repeating signifies that they are indeed rules, not facts.   A glance at history and across cultures demonstrates that they are fashions.  That enforcing them requires scare tactics—“You’ll never get laid!” “You’ll never land a man!”—should land the final blow to their credibility.

 

 

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In Comedy, It’s All About Deciding Who’s Us & Who’s Them

28 Apr

Krampus twins(Via)

 

The Guardian’s stylebook contains the greatest commentary on style I’ve ever seen in print:

political correctness: a term to be avoided on the grounds that it is, in Polly Toynbee’s words, “an empty right-wing smear designed only to elevate its user.”

Around the same time, while researching the back stories of Life’s Too Short for my review, I came upon the controversy over the word “mong” in which Ricky Gervais found himself embroiled this past fall.  Apparently “mong” is a British English insult derived from “Mongoloid,” the very antiquated and now unacceptable term once used to describe people with Down’s Syndrome.  Both Americans and Brits have probably heard “retard” used the same way.  Gervais eventually apologized to those who objected—including the mother of a child with Down’s Syndrome who has frequently endured the insult—but not without first dragging his heels screaming at what he called “the humorless PC brigade.” 

I will never get over how many comedians insist that any criticism of their work is an indictment of all comedy; as if there’s no such thing as an unfunny comedian, only stupid audiences.  This logic sets the bar for comedy so low that no comedian need ever try to be original.  Ignoring the “PC brigade” (i.e., anyone who doesn’t live with the privileges they do), they can simply regenerate old stereotypes, mining the minstrel shows, the frat houses and the school yards, and if no one laughs at this, it’s simply because we’re all too uptight, right?  Wrong.  We don’t refrain from laughing because we feel we shouldn’t.  We refrain because, unlike the repressed who giggle away in awe, we’ve heard it a thousand times before and we know it’s far from unique.  And isn’t unique what every comedian, entertainer and artist strives to be?   

Like politics, comedy can be divided into two categories: that which confronts our problems with our own selves, and that which confronts our problems with others.  Xenophobia literally means the (irrational*) fear of strangers and the second type of comedy relies upon this fear.  There has to be a “them” for “us” to laugh at.  So Republicans laugh at Democrats.  Hippies laugh at yuppies.  Academics laugh at hippies.  Progressives laugh at bigots.  It’s fair game when beliefs are targeted because we must always take responsibility for our beliefs.  However, when the joke defines “them” as those who have had no choice whatsoever about their distinguishing quality—ethnicity, gender identity, sexuality, physical traits, mental or physical capabilities, or class background—and who continue to be disenfranchised by society’s delusions of normalcy, the joke had better target those delusions to be in any way original.  Otherwise, why pay for cable or tickets to hear someone lazily reiterate the guffaws of playground bullies? 

Every good comedian, from Stephen Colbert to Eddie Izzard to Christian Lander to the writers at The Onion, knows that the best jokes mock people’s hang-ups and clumsy reactions to minority issues, not the mere existence of minorities. My beloved Flight of the Conchords frequently flip gender roles and ethnic stereotypes, exposing the absurdity of racism and misogyny.  As the following video demonstrates, 1970s machismo has been begging to be made fun of.  However, when it comes to physical Otherness, it is the body—not fearful attitudes toward it—that they choose to snicker over, 54 seconds into the video:

 

 

Hermaphrodite?  Really?  An intersex kid’s medical reality is your toy?  C’mon, Conchords.  You’ve proven you’re great at making fun of white Kiwis tripping over Maori culture.  (“Jemaine, you’re part Maori…  Please be the Maori!  If you don’t do it, we’re gonna have to get Mexicans!”)  Surely you could come up with some good bit about hipster comedians clinging to lookist and ableist jokes like teddy bears and throwing temper tantrums when they’re taken away.  Or take a tip from Mitchell & Webb and take a jab at the way the ableism of reality TV masquerades as sensitivity:

 

 

Of course comedians have the right to make jokes objectifying minorities.  But I’m more interested in why they feel the need to, why they choose to objectify some people and not others.  Being gay, disabled, trans, intersex or non-white is not inherently hilarious to anyone who doesn’t live their lives sheltered from anyone unlike them.  The American freak shows of P.T. Barnum and the racist British sitcoms of the 1970s signify not just how profoundly disenfranchised minorities were in these countries, but how absurdly provincial audiences must have been in order to be so easily titillated.  Many comedians who reiterate chauvinist jokes argue that in doing so they are pushing the boundaries, expanding freedom of thought in defiance of PC oppression, when in fact they are merely retreating to well-trod ground, relying on ideas that challenge nothing but the very young idea that minorities deserve to be included in the dialogue as speakers, not objects.  As Bill Bryson has pointed out, the backlash against “political correctness” took place the moment the idea was introduced and has always been far more hysterical than what it protests.   

Toni Morrison has said, “What I really think the political correctness debate is really about is the power to be able to define.  The definers want the power to name.  And the defined are taking that power away from them.”  Revealing that it is all about power explains why emotions run so high whenever minorities get upset by certain jokes and comedians get upset about their being upset.  But this redistribution of power can be productive.  Taking old slurs and xenophobic tropes away from today’s politicians and comedians challenges them to think beyond their own experience and to wean themselves off society’s long-held fears, to redefine “them” as those enslaved by the limits of their imagination; in essence, to really push the boundaries.  Yet too often they default to the tired claim that this challenge infringes on their right to free speech. 

Some progressive critics do bring on the censorship accusation by using the ineffective phrase “You can’t say that!” and sometimes this is indeed an open attempt at censorship because most media outlets self-censor.  For example, Little People of America has called for the Federal Communications Commission to add “midget” to its list of words you can’t say on television.  I understand the temptation to insist upon the same treatment afforded other minorities: If certain ethnic and gender slurs are banned by newspapers and TV networks, why not others?  But this tactic too easily insults those other minorities—are you claiming black people have it easier than you?—and creates the concept of a forbidden fruit that will only tantalize right-wing politicians and shock jock comedians.  Simplifying the issue into Good Words/Bad Words can be a waste of an opportunity.  Instead of limiting itself to which words are always unacceptable regardless of context or nuance, the dialogue should always aim to reveal which minority jokes truly blow people’s minds and which lazily replicate institutionalized chauvinism. 

Instead of splitting hairs over the modern meaning of the word “mong,” I’d love it if a comedian went at the fact that Dr. Down came up with the term “Mongoloid” because he thought patients with the diagnosis resembled East Asians.  Because really.  Who’s asking to be made fun of here?

 

 

* “Phobia” always indicates an irrational fear, hence arachnophobia, agoraphobia, claustrophobia, homophobia, etc.  Fears that are well-founded are not phobias.

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In Activism, The Medium Is The Message

6 Apr

 

An acquaintance recently referred to me in a discussion about limb-lengthening on a Tumblr page.  Having heard about my medical experiences from mutual friends, he insinuated that I may have been forced into it, reported the procedure is used to make people with dwarfism “look normal” and dismissed it as therefore morally wrong.

Around the same time that week, The New York Times featured a discussion regarding whether the Internet’s contributions to political discourse are always productive under the headline, “Fighting War Crimes, Without Leaving the Couch?”  The Internet itself is so multi-faceted it undoubtedly does as much good as harm.  Like all media, it has both cerebral and shallow corners.  And, as the Times piece reveals, there is a fine line between slacktivism and activism.  But the recent trend toward microblogging—Tweets, Facebook status updates, Tumblr—for political discussions is rife with problems.  For every productive comments thread I’ve read, there are conversations that never evolve beyond slogans, sneering, choir-preaching, or kneejerk reactions with most information based on hearsay.  Every single piece of information cited in the Tumblr discussion on limb-lengthening contained at least one factual error.  (More here on the fact that it was posted in the context of sick fascination rather than bio-ethics.)  That microblogging brings those who don’t have the time or energy to compose an entire blog post or article into the discussion is hardly a compelling argument, since it quickly extends to Those Who Don’t Have the Time to Research Or Think Much About the Issues. 

I’m quite used to having my story cited in debates because of the exposure I’ve allowed it.  I love debate like other people love video games and limb-lengthening is a contentious issue.  (Just ask my friend who witnessed a stranger with dwarfism approach his mother and demand, “How could you ruin your child’s life like this?!”)  When ignoring the broad-sweeping nature of his assertion, I consider this friend of a friend’s kneejerk opposition to cosmetic surgery preferable to, say, the handful of journalists who have interviewed me and chosen to portray limb-lengthening as a painless miracle cure for anyone unhappy with their size.  But reading his hasty dismissal of my seven-year-long experience based only on what our mutual friends had told him brought back memories of all the people I’ve observed summarizing deeply personal, overwhelmingly complicated decisions in 140 characters or less, both online and off:

“It’s been TWO months since she died.  He’s gotta move on.” 

“It was so selfish of her to get pregnant now with everything her husband’s going through.”   

“It’s absolutely horrible to abort a fetus that tests positive for a disability.  Who would do such a thing?!” 

“Only one girlfriend?  Well, then she’s not really gay.  She was just experimenting.” 

“It’s ultimately selfish to want a child with dwarfism.  You wouldn’t want to do that to a child.”

“No wonder she got mugged.  Any girl who goes hiking alone should know better.”

“It’s so stupid that women are supposed to be upset about not being able to have their own kids.  They could just adopt.” 

Assuming others’ motivations, knowing what’s best for everyone, passing on poorly researched information; too often gossip masquerades as political discourse, both in the media and at home.  We all feel compelled to have an opinion.  About everything.  The more noble root of this is the desire to actively take an interest in everything.  But that nobleness dies the moment we can’t be bothered to consider anything beyond our gut reaction before spouting off; the moment a desire to improve the world devolves into the simple urge to mark everything we see with our own personal “GOOD” or “BAD” stamp. 

Obviously, as a blogger I am constantly offering my opinions.  But I remain acutely conscious of my chosen medium, taking inspiration from Marshall McLuhan whose quote heads this post.  There is a difference between tabloids and broadsheets, between documentaries and reality TV, between a blog entry and a Tweet, and it’s not just big words: It’s the intellectual commitment required of the audience in order to consume.  True learning demands this commitment and risks upsetting our world view.  Voyeurism indulges our complacency and guarantees our prejudices will be cemented.     

Every blog post I put out is both a labor of love and a terrifying experience.  Every week I hear the imaginary voices of every individual who could in any way be implied in my arguments howling at me, “Who do you think you are?!”  The voices aren’t loud enough to scare me into silence.  But, combined with the inspiring examples set by my partner, my mom and dad, Ariel Meadow Stallings, Barack Obama and many others, they motivate my every edit of that girl in high school who was so well known for her righteous indignation that she was voted “Most Argumentative” in the yearbook.

That girl has made so many mistakes along the way.  I found out that posting your religious views online can earn you applause from strangers but cost you a friendship.  I’ve learned using the “I know someone who…” argument can offend or embarrass said person if you haven’t asked their permission, even when it’s intended as praise.  I’ve learned passion alone inspires your supporters but usually sounds like ranting to the unconvinced, especially on Facebook.  I’ve learned mass emails are not only passé outside the workplace but were never very popular to begin with.  (At least not among the recipients.)  I’ve learned to never read the comments section on YouTube unless I want to lose all my faith in humanity.

I intend to address all the reasons why I underwent limb-lengthening eventually, but at the moment I’m not sure yet if I can in anything less than the 13 pages I needed in Surgically Shaping Children.  I’m sorry to play Tantalus to those unable to shell out the cash for the book or find it at their library.  This undoubtedly limits the number of people I inform.  But, for now at least, I prefer to be held responsible for a few well-informed individuals rather than many misinformed ones.  And no matter how I end up condensing it, I know I won’t ever be able to fit seven years of limb-lengthening into one Tweet.    

 

 

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Four Tiers of Fear

31 Mar

 

“How DARE you call me a racist!” 

We’ve all heard that one before, and it’s becoming ever more frequent with the debate over Trayvon Martin’s death.  Marriage equality opponents have been adopting the same tone over the past few years, claiming “homophobic” is now an insult.  In the video posted above, Jay Smooth makes an excellent argument for shifting the focus from criticizing actions instead of people in order to spark more productive dialogue about racism and this can be applied to any discussion about xenophobia. 

But outrage at any charges of xenophobia is not only an issue of grammar.  This outrage usually relies on the assumption that “racist” or “homophobic” automatically denotes a Neo-Nazi level of vitriol.  (This is why it’s frequently accompanied by the protest, “Some of my best friends are black/gay/dwarfs!”)  The outrage silences any discussion about the more insidious forms of chauvinism, and this is the very discussion that needs to happen, because the most insidious forms are the most ubiquitous. 

Most people who harbor transphobic, racist, ableist, sexist, lookist, ethnocentric or homophobic views are not Neo-Nazis.  Most would never physically harm anyone, and as Jay Smooth demonstrates, most would never admit to being xenophobic.  My theory is that chauvinism appears in society today in four different forms:

***

1. Violence: Both organized and individual violence, though of course the more organized, the more terrifying.  (The Southern Poverty Law Center reports this month that hate groups are on the rise in the United States.)  A hate crime should not necessarily be punished more severely than any other case of assault or murder, but its designation is an essential counter-statement by society to the statement the violence was intended to make.  While the most horrific form of xenophobia, violence is also the least common.

2. Overt Animosity: Harassment and disrespect that falls short of violence.  It’s insulting someone to their face, knowingly using slurs, arguing in earnest against someone’s human rights.  It’s refusing to hire, date or talk to someone because they belong to a certain ethnic group, or because they do not belong to a certain ethnic group.  It’s parents disowning their children for being gay, trans or disabled.  It’s the guy I witnessed at the mall yesterday who tapped a Chinese woman on the shoulder, closed his eyes and babbled, “Ching-chong-chang!” before dashing off.  It’s the Yale Delta Kappa Epsilon fraternity’s pledge, which included the chant, “No means yes!  Yes means anal!”  It’s the New Orleans cop saying Travyon Martin was a “thug and… deserved to die like one.”  Because the intention is either to provoke or dismiss the victim, it’s extremely difficult to find a constructive counter-argument.  Beyond ignoring such provocations because they are beneath us, our only hope is to appeal to any capacity for empathy the offenders may have when they are not in a provocative mood.  Such cruelty always stems from profound personal insecurities.         

3. Covert Animosity: Disrespect behind someone’s back.  This usually occurs when the speaker thinks they are surrounded by their “own kind,” and thus unlikely to offend anyone present with their slurs or jokes.  We’ve all heard at least one relative or coworker talk this way.  Often an environment encourages such disrespect and the peer pressure to join in is high.  Often someone will insult an entire minority privately but be utterly decent when meeting an individual from that minority.  A friend of mine once dismissed a boy band on TV as “a bunch of fags” just hours after he’d been raving to me about my awesome neighbor, who he knew is openly gay.  Sometimes this behavior is excused on the grounds that the speakers are from “a different generation,” an excuse I rarely accept since those with more progressive views can often be found in the same generation.

4. The Xenophobic Status Quo: The stereotypes and privilege that surround us.  Most of us have some of these prejudices without knowing it because we have been bombarded with them from birth on.  It’s the invisibility of minorities in the media and the social segregation in public that causes us to stare when we see certain people.  It’s the jokes that rely on the assumption that all heterosexuals find gay sex, intersexuality or transsexuality at least a little gross.  Or the assumption that physical disabilities, mental disabilities and physical deformities are always tragic and sometimes morbidly fascinating.  It’s the virgin/whore standard to which Western women are still held, leading us to comment far more on the appropriateness of their clothes and promiscuity than on men’s.  It’s our collective misogyny, homophobia and transphobia that converge to make us wonder why a man would ever want to wear a dress, but not why a woman would want to wear jeans.  It’s the prevalence of chauvinist expressions in our language (e.g. “Congressman,” “flesh-colored”) and of chauvinist traditions in our books, films and legends (e.g. our god is a white male) that makes them difficult to avoid and easy to reiterate.  It’s our demanding transgendered people wait for the rest of us to “get used” to the idea of their transitioning instead of questioning our belief in the gender binary.  It’s our view of every person who belongs to a minority not as an individual but as an example representing that minority with every move they make.  It’s the assumption that a difference upsets normalcy in lieu of the concession that normalcy is a delusion.  The privileges bestowed by our society on some members at the exclusion of others, rewarding those who have done nothing but be born with characteristics considered “normal,” are perhaps the most insidious reinforcement of these prejudices.

***

There is a danger to placing too much emphasis on the differences between the four tiers—I never want to end up in a conversation where people’s actions are excused as being “only Tier 4 sexist”—because all four tiers feed off each other.  They don’t exist in a vacuum.  The non-violent ideas of covert animosity and the xenophobic status quo provide confrontational people with a means of choosing their victims.  Conversely, regularly seeing society’s long tradition of hate crimes and public humiliation both in our history books and in our everyday news is what leaves us all dangerously unsurprised by the less belligerent forms of disenfranchisement many of us help perpetuate. 

Yet it is important to distinguish between these manifestations of fear in order to avoid the assumption that only violence and overt animosity qualify as xenophobia.  That assumption lets millions of people off the hook.  You don’t have to belong to the Westboro Baptist Church in order to have homophobic views.  You don’t have to belong to the NPD or the BNP or the Georgia Militia in order to have racist views.  You don’t have to wait in a dark alley for a stranger in order to commit rape.  You don’t have to threaten someone in order to to make them feel unwelcome.  Our society has been built on many xenophobic assumptions, making it very easy for all of us to pick some of them up along the way.  The fight for equality aims to make it more and more difficult, but it needs to be able to recognize its targets and use tactics suitable to each. 

I make these distinctions in the hopes of facilitating the conversation on chauvinism.  Yet it should come as no surprise that chauvinism is difficult to discuss because, in the words of Jay Smooth, it’s a system that has been designed to insult and subjugate.  In other words, it’s hard to speak politely about the idea of being impolite. 

 

 

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The Good, the Bad and the Boring of “Life’s Too Short”

21 Mar

 

Today Feministing.com features my review of HBO’s Life’s Too Short, the first sitcom I’ve ever seen starring someone with dwarfism.

 

 

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Today’s Princesses: Teaching Them “That Self-Absorption Is The Same As Self-Confidence”

10 Mar

When I was growing up, I had a hard time remembering that McDonald’s and Disney were not the same company.  I still have a hard time remembering that.  Both aggressively market products few can spend their entire lives resisting because their advertising budgets are unrivaled and because they have mastered the recipes for broad appeal.  Both are aggressively exported to other countries, representing all that is optimistic, colorful, unsubtle and indulgent about America.  Both are harmless in small doses but unhealthy when they attain the monopoly on a child’s life they’ve been aiming for.

I’ve just finished Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture by Peggy Orenstein.  Like Eric Schlosser in Fast Food Nation, Orenstein examines a corner of our culture that does not take constructive criticism well.  It is because of the magnitude of the pink princess deluge driven by Disney and their ilk combined with their defensive refusal to admit any fault or responsibility—“It’s what every girl wants!”—that her work deserves such a warm welcome.

For any of her failures to perfectly repair the girlie-girl culture in 200 pages, Orenstein offers several impeccable articulations of the problems.  Princess packages are problematic when they impose rote scripts and must-have shopping lists, stifling rather than encouraging creativity.  Sexualization is problematic when the implied goal is not to attain pleasure but to please a man in exchange for being approved of as pretty.  Social networking online is problematic when “the self becomes a brand to be marketed to others rather than developed from within.”  And the Muppets are problematic when, for all their ingenuity, they still can’t come up with more than two female Muppets.  I think I’m going to end up quoting her a lot.

The New York Times praised her book while emphasizing that it is little cause for alarm seeing as most girls outgrow the pink princess phase.  As a former Snow White wannabe, I know this can be true, but I had kick-ass feminists in my life to help me along the way, including a dad who sewed my costumes.  I hesitate to agree with the Times’s assertion that “most” move on.   Orenstein provides depressing figures on the rise of female eating disorders, the recent drop in computer science degrees, the persistent problem of young women equating “feeling good” with “looking hot.”  Even as I tend to surround myself with self-confident, intellectual women who define themselves as much more than their prettiness and their purchases, I regularly encounter those who fit into Orenstein’s figures.  They are the ones whose fathers only gave them credit cards, never engaging them in intellectual discussion, and who now avoid debate like an ugly outfit.  They are the ones who know that appearing pretty means non-threatening, so self-confidence is tossed out for coyness, self-assertion is abandoned for pouting, and wit is relinquished for fawning giggles in the presence of men.  They are the ones who torture themselves over their looks—“I’m so ugly! I’m so fat!”—in order to land a man and then keep him from cheating, spending more of their day unhappy than any other people I know.  They are the ones who have not left the princess phase because they do not know how to. 

Too often criticism of the princess culture is misconstrued as bitter resentment by those who just don’t have what it takes to wow the guys or woo the pageant judges.  Nothing could be further from the truth.  It is sincere concern inspired by the hard evidence of the very real dangers that motivates critics like Orenstein:

There is… ample evidence that the more mainstream media girls consume, the more importance they place on being pretty and sexy.  And a ream of studies shows that teenage girls and college students who hold conventional beliefs about femininity—especially those that emphasize beauty and pleasing behavior—are less ambitious and more likely to be depressed than their peers.  They are also less likely to report that they enjoy sex or insist that their partners wear condoms. 

Depression, eating disorders, STDs, and unwanted pregnancy are nothing to sneeze at.  Meanwhile, a study conducted at the University of Houston found women who identify as feminists demonstrate less hostility toward men than women who don’t.  A Rutgers University study found they are also more likely to be in a relationship and their partners report more satisfaction with their sex lives.  Isn’t that the happily ever after every parent wants for their daughter?      

Sometimes Orenstein’s feminist alternatives to the pink princesses sound soft compared to the roar of her reprimands.  Focusing only on the (admittedly daunting) price of the dolls, she misses a major opportunity to understand the educational, multi-cultural brilliance of the American Girl history series.  Disney’s The Princess and The Frog promotes independence, battles lookism and exemplifies egalitarian romance in all the ways Beauty and the Beast failed to, yet Orenstein’s review of the film was as weak as its box office performance.  Princess Fiona of Shrek is bad-ass and the third film in the series parodies princesses better than anything else it takes a jab at.  However, I wonder how necessary any model of romance—feminist or traditional—is for the preschool set.

Indeed, it is important to distinguish between the pre-pubescent girls and the post-pubescent ladies in books and toy stores, and on the screen.  Sparkles and daisies are innocuous. Unrealistic beauty standards and boy-crazy storylines are not.  The original Strawberry Shortcake and Rainbow Brite were not the cleverest female role models, but they acted their age and thus appropriately for their target audience.  Their cadres of friends were coed.  They regularly outwitted male villains—proving that girls’ problems aren’t limited to cat fights—and the reward was always a happier world, either more colorful or fruit-filled.  Like Hello Kitty, Strawberry Shortcake and Rainbow Brite demonstrated that to be cute is to be round and childlike, not dangerously busty-yet-skinny like Barbie and the Disney Princesses.  But both Rainbow Brite and Strawberry Shortcake have since been redesigned to at least suggest adolescence:     

 

Characters that were not invented first and foremost to sell dolls and costumes are usually a safer bet.  Lilo and her sister Nani of Lilo and Stitch are two of the best female characters in cinema history, let alone the Disney canon.  Meanwhile, Pippi Longstocking is worshipped in Northern Europe by boys and girls alike.  Indeed, wouldn’t a more pro-active welcoming of boys into the princess culture dilute a lot of its sexism?  How about dads reading The American Girls to their sons as often as moms read Harry Potter to their daughters?  Orenstein does recognize the potential for that revolution, citing a Creighton University study that showed half of boys aged 5 to 13 chose to play with “girls’ toys” as often as “boys’ toys,” but only after they were promised that their fathers wouldn’t find out about it.

Like the families relying on fast-food several times a week, many parents find it difficult to resist the pink marketers’ schemes and the peer pressure foisted upon their daughters in play groups.  There is nothing wrong with the occasional indulgence, just as there is nothing inherently wrong with the color pink.  But just as we have demanded healthier Happy Meals and more farmers’ markets, we should demand more varied toys, activities and role models for our children, refusing any monochrome model of girlhood.

 

 

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The Make-Believe Dwarfs of My Childhood

3 Mar

lookism

(Image by Paul Bailey used under CC license via)

 

Though it often can be the best way to get a message across, art complicates politics because it mixes matters of taste with matters of justice.  One lends itself to reason, the other doesn’t.  Too often sentimental feelings about a film or song with offensive elements will result in fans denying the offense altogether.  “Little House on the Prairie isn’t racist!  I grew up on it and I turned out fine!”  Maybe you did thanks to your innate curiosity about the experiences of others or inspiring teachers in your life, but you didn’t learn anything valuable about civil rights from that book.  I grew up on Dumbo and I think it is an artistically brilliant film with many good messages, one of which is the problem of lookism.  However, getting a white actor to put on his best black voice to play a character named “Jim Crow” in the heyday of the minstrel shows was a supremely stupid idea.  We shouldn’t deny ourselves our personal tastes, but that shouldn’t preclude calling out the artists’ mistakes.   

Likewise, we shouldn’t cry wolf over artwork that simply doesn’t match our tastes.  I’m one of the few people on earth who doesn’t enjoy The Lord of the Rings—I saw it for the first time in my twenties and fell asleep—but that’s primarily because I get bored by fantasy epics that are predominantly serious.  (I’m not wild about The Chronicles of Narnia either.  If there’s going to be magic, I prefer the tongue-in-cheek tone maintained in the worlds of Roald Dahl, L. Frank Baum or the Pirates of the Caribbean.)  It is sometimes difficult to divorce my dislike of the style from my annoyance that the Lord of the Rings definition of a dwarf receives more attention in almost every corner of our culture than the one based on reality.  Google “dwarf” right now in the image search and see how long you have to wait until a real human being is featured.  But neither Peter Jackson nor J. R. R. Tolkien is solely responsible for this; the latter of course drew this definition from the fantasy tradition.  And the use of dwarfs in fantasy is not always problematic. 

Peter Dinklage has demonstrated that dwarfism is no more important than skin color or foot size in Game of Thrones.  And while I couldn’t sit through Lord of the Rings as an adult, I have a special place in my heart for the 1988 film Willow, which was panned by almost every critic I respect.  Perhaps my nostalgia and childhood crush on Warwick Davis blinds me to the film’s artistic faults, but my enjoyment of it was rooted in politics before I even knew the word “politics.”  Because for once a dwarf was the main character.  And he looked like a real dwarf; he wasn’t wearing any pointed ears or goblin nose or orange face-paint.  And I wanted to be Sorsha, the bad-ass warrior princess.  Yes, she’s a damsel in distress during the final battle, but it’s 3′ 6″ Warwick Davis who wins that battle for her, not buff Val Kilmer. 

While I’m uncomfortable with fantasy’s tradition of insisting that dwarfs are a separate race and thus, in many cases, non-human, I loved Willow for giving both the dwarf-sized people and the average-sized people names free of connotation (“nelwyns” and “dakinis”).  They are neutral words that demonstrate one of the advantages of neologisms.  (Though I’ll admit the film’s line “Stupid dakini!” has echoed in my head at various points in my life.)  The film also uses the fictional word “peck” as the thinly veiled equivalent to “midget,” an insult the eponymous character must endure from dakinis throughout the film, adding more gravitas to his saving the day and personal appeal to dwarf viewers like myself.  Too often in fantasy, physical characteristics are indicative of personality traits.  This is an occasionally racist, always lookist device that disenfranchises hideous hags, macho musclemen, dark demons, pretty princesses, and innocent invalids.  Willow offers a welcome respite.  As sappy and as simple as the message is—anyone can be a hero—it bears repeating.

Speaking of lookist, I also adored Snow White and the Seven Dwarves as a kid.  I always played Snow White, of course—what child doesn’t imagine themselves as the attention-getting protagonist?—but I was also secretly proud that the first feature-length animated film, one of the most famous of the Grimms’ fairy tales, included dwarfs who weren’t ludicrously unrealistic.  They were kind, they had no mysticism and, as much as I loved her and her poufy dress, they had far more personality than Snow White herself.  For these reasons, I didn’t mind using them as an example when children asked me about my size.  My mother once said, “We’ll write to Disney and tell them most dwarfs aren’t bashful or dopey at all!”  I recall at the time wishing she wouldn’t put a damper on a film I loved so much, but now I am grateful to her for fostering such moral vigilance in me.  

Because once I hit puberty, I instantly saw the problems.  Like Disney’s The Hunchback of Notre Dame and scores of other films, Snow White asserts that male characters who are disabled or deformed can never hope to get the girl.  Considered innocent, asexual people, they are doomed to the Friend Zone.  And women with disabilities?  There aren’t many fairy tales about them.  The story emphasizes even in Snow White’s name that looks are everything.   

My childhood in combination with my experience with dwarfism endowed me with a nostalgia for stories I nevertheless was forced to analyze critically as I grew up, so I cannot deny either.  Everyone should keep a healthy distance between one’s understanding of the world and fairy tales.  My partner and I used the above image of Snow White on our wedding invitations, although we changed the slogan to “Everyone Is Beautiful”—a lesson I did not learn from Snow White herself, but from learning how my dwarfism conflicted with her.

 

 

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Dwarf-Tossing: Something I Really Don’t Like Thinking About

18 Feb

 

I was recently invited to write a guest post for Feministing.com. I’ve written about dwarf tossing and it appears in today/yesterday’s edition of the blog here.  (I apologize should this news seem late in coming – I’m writing to you from Tokyo where the time difference is working against me.)

 

 

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Working with the F Word

12 Feb

audre lorde rough paper background by Starving ArtistIf you’ve explored this blog, you’ve heard me toss around that lovely word “feminism.”  And I bet a few of you cringed, rolled your eyes or ignored it: “Feminism is the idea that men and women are equal.  We get it.”

Traditional gender roles inflict thousands of double-standards on women and men, and I’ll discuss them in greater detail soon.  But feminism is so much more than that.  Despite the “fem” in feminism, women’s rights are neither the limit nor the core of equality.  As Gloria Steinem recently said, it’s about challenging hierarchies.  It’s about saying, “You’re not the boss of me!”  There is no other word for opposing all hierarchies based on characteristics about which we have no choice: our ethnicity, our sexuality, our race, our gender identity, our class background, our physical traits and capabilities, our mental capacities.  There should be.

Because chauvinism is the common enemy.  Feminism started off aiming to liberate women.  And that includes poor women.  And women of every possible ethnic background.  And in every country.  And women with physical differences and disabilities.  And women with mental disabilities and psychiatric disorders.  And women who are attracted to women.  And women who are attracted to both genders.  And women who transition into their sex.  And those who transition into another.  And those whose biology or sense of self does not correlate to either male or female.  And those who are men.  As a woman with achondroplasia, how could I ignore anyone who is screwed over for the way the way they were born?  As a woman with achondroplasia who chose to undergo controversial limb-lengthening procedures, how could I condemn anyone forced to make deeply personal decisions directly linked to their identity?  And the questions logically expands to: How could anyone?

Do “human rights” or “egalitarianism” adequately imply opposition to any manifestation of chauvinism?  Labels are so problematic.  Internet and library searches for “egalitarianism” usually produce discussions of class and poverty, while “human rights” tends toward macrocosmic, international issues of war, poverty and suffrage.  In effect, these terms can be narrower or broader than feminism.  Yet there are advantages to redefining a well-known term like feminism rather than trying to invent and disperse a new one.  When self-proclaimed feminist Amanda Palmer defended a project objectifying conjoined twins, Sady Doyle at Tiger Beatdown gave her the lecture of a lifetime that sums it up better than I’ve ever heard:

… this “feminism” thing: it’s not for some people, it’s not for you specifically, it’s not a fun little badge you get to slap onto your actions when it suits you. It is a system of carefully worked-out thoughts, which has been developed for many, many years by many thousands of people, and one of the most unavoidable parts of this system, which we can’t get away from if we are thinking for even a second with any ounce of intellectual rigor or honesty, is that everybody matters. Everybody matters precisely as much as you do. Which is why you don’t get to use them as a means of gratifying yourself with attention when the attention is good, or deny them the right to be heard or respected when the attention is bad.

Feminist history is stained with instances of female chauvinism, racism, ethnocentrism, classism, homophobia, transphobia and ableism, and continues to be by the likes of many.  And we’ve got to keep calling that out with the same vigilance we accord any issue.  As the xenophobic view claims that multiculturalism and universal human rights are inefficient and the only battle worth fighting is your own, a non-violent society only functions when based on the concept of reciprocity.  Despite the structures in place that assume otherwise, everybody’s health, job, relationships, sex life, family, and happiness matter exactly as much as yours do.

That’s what the F word means to my husband, my mom and my dad, my sister-in-law, my closest friends, my favorite teachers, and me.  And if that still makes you cringe, if you still find the label too problematic, leave me a well-thought out argument in the comments.

 

 

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Welcome to Painting On Scars

4 Feb

 

So you’ve heard that “Kids can be so cruel”?  What a cop-out.  Adults are cruel.  Kids are constantly blunt and sometimes mean-spirited, but they have the chance to grow up.  Turning 30 this year, I realize that I’ve encountered more ableism over the past 10 years than any other time in my life – online, at dinner parties, and during my four years as an undergrad at Bard College when it was consistently rated in one of the Top Ten Most Liberal Schools by The Princeton Review.  If I ever have children biologically, they will each have a 50% chance of inheriting achondroplasia from me.  Whether or not they have achondroplasia, I’m much more concerned about the adults they will encounter in their lives than the kids.

Today ableism – a.k.a. disability discrimination – ranges from the yuk-yuk objectification of freaks, to the sick fascination with medical realities, to personal phobias of looking weak or unattractive, to well-intentioned charity that is truly patronizing.  That this so often comes from those whose own experiences of marginalization would logically render them better candidates for empathy has inspired me to start this blog. 

There also aren’t enough blogs about dwarfism.  There are hardly any blogs about dwarfism beyond childhood.  The community of dwarfs who have undergone limb-lengthening is non-existent, as if we want to pretend we were never dwarfs in the first place.  And feminist blogs for and about dwarfs who have undergone limb-lengthening continue to elude my Google efforts.

While my own experience invariably influences my perspective, I refuse to argue only about issues directly related to dwarfism and limb-lengthening.  Without knowing the word for it, I was raised to believe that if you’re going to support the rights of one minority, you’ve got to support them all.  In the end, they’re all related.

So consider this blog a continued reflection on the issues I addressed in this book.  Or The Most Inclusive, Progressive Forum Ever!  Or just another reminder that whether you’re discussing a sex issue or scar tissue, the personal is inescapably the political.

 

 

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The Simpsons, Dwarfism & Getting It Almost Right For Once

12 Nov

Livro ou TV?(Image by Lubs Mary. used under Creative Commons license via)

 

Somewhere, among the many things cluttered in the back of my head, has long been the wonder as to whether The Simpsons would ever address dwarfism as a topic. Last night, I found out they did two years ago in the episode “Eeny Teeny Maya Moe” and I was shocked to see them decide against the freak show trope that our generation adores so dearly.  Not only did they transcend the snickering, but they pounced upon it and deftly demonstrated how blurred are the lines between comfort and discomfort.

Of course it feels silly to be grateful upon seeing one’s difference portrayed respectfully and productively.  But forgetting all the crappy media that take cheaps shots at dwarfs (James Bond, The Man Show, Celebrity Apprentice, Austin Powers), I’ve become quite used to good art reveling in the yuk-yuk fascination (Scrubs, This Is Spinal Tap, QI, Bob Dylan).  Not to mention the fantasy genre’s long-held tradition (from The Wizard of Oz to The Imaginarium of Dr. Parnassus) of utilizing dwarfism to denote either a separate race or mysticism (“It must be a fucking dream, there’s a fucking dwarf in it!“), which is not explicitly offensive, but also not particularly helpful in deconstructing prejudice and misconceptions.  Across the genres, Hollywood usually contributes more to the list of names we get called (Oompa Loompas, Hobbits, Mini-Me, etc.) than to diversity awareness.

The Simpsons episode isn’t perfect – how does one deal with minority issues perfectly? – but I was quite pleased.  The one moment that left a bitter taste in my mouth is the final line: “Who would have thought a woman so short could make me feel so big?”  Little People of America and many of their supporters perpetuate this same, pathetic slogan of empowerment: physically short, but mentally/spiritually/emotionally huge.  Short, but.  Little, but.  You’re well-meaning, but.

Little is not less.  Little is not inferior.  Little is not cute.  Little is not submissive.  Little is not weak.  Little is not a Napoleon Complex.  Little is little.  Big is not greater.  Big is not better.  Big is not powerful.  Big is not dominant.  Big is not strong.  Big is not a Gentle Giant.  Big is big.  To consider size as indicative of personality traits is as ludicrous as equating anything from freckles to elbow shape with personality traits.  (Any attempt to compliment Oprah Winfrey or Alice Walker by saying, “She may have been dark-skinned, but she brought light to the lives of many” would be considered wholly idiotic and righftully so.)  Having two x chromosomes does not impede my intelligence or independence or strength, and neither does having an autosomal dominant mutation in my fibroblast growth factor receptor gene 3.

If you want to praise an individual’s ability to overcome social obstacles, do not place blame for the obstacles on their genetics.  Society’s incessant xenophobia and vanity are constantly let off the hook because a genetic difference is still seen as that which upsets normalcy, rather than that which is handicapped by our delusions of normalcy.  It is all too often supported by the reasoning that if a majority is scared of a difference, then it must be a natural fear, and natural is practically synonymous with good.  It will take quite a few more episodes like that on The Simpsons before the discourse changes and someone says, “Who would have a thought a woman so shat on by our culture’s omnipresent lookism could have the patience to deal with my own individual prejudices?”

 

 

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It’s Not One or the Other with Evelyn Evelyn

6 Nov

Evelyn EvelynSo Jason Webley and Amanda Palmer have formed a band called Evelyn Evelyn for which the two dress up as conjoined twin sisters.  I wasn’t going to comment on the scandal that has erupted over the launch of their new album because it seemed too many people were screaming at the top of their lungs and the ones who weren’t had stuck their fingers in their ears.  But I’m both a big Jason Webley fan and an advocate for more visibility on the issues of ableism in political discourse.  And this is an excellent example of a common occurrence in the counter-culture that rarely gets talked about.  Here are a few of my points, some of which have already been made by others, some of which haven’t.

One can love Jason and/or Amanda as artists and also believe that they’ve done something wrong.  One can be in awe of Mick Jagger’s talent, and still gristle at his womanizing and the lyrics he sings advocating it.  The adolescent idol-worship of these two singers that’s been revealed in the defense arguments is quite disturbing.

Even though I fiercely believe in intersectionality (i.e., if you’re gonna support the rights of one minority, you’ve got to support them all), being insensitive toward one group of people does not make you insensitive to all.  Amanda Palmer is a fierce feminist and LGBT advocate, and both she and Jason like to sing about, as he put it, the experiences of those on the margin.  This project does not nullify their previous good works and transform  them both into misanthropic bigots.

As intersectionality often proves, a liberal identity does not make progressives like Jason and Amanda incapable of prejudice or sheer jack-ass behavior.  I met student after student at Bard who would glare at anything remotely racist or sexist or homophobic, but who insisted that dwarf-tossing is fucking hilarious and cringed at individuals with facial deformities.

I admit that I didn’t consider the offensive implications the first time I heard of the project.  When I read the bio on Evelyn Evelyn’s MySpace page, I did start to feel the thing reverberate with circus-freak retro-chic.  More than anything, I didn’t see why the twins had to be conjoined.  They have the same name and sing back and forth to each other; there isn’t anything about their record requiring them to be conjoined except to add a little freak-show flavor, realized by the sight-gag of the two singers performing onstage on a single accordion.  If Evelyn Evelyn were merely identical twins, no one would have given it a moment’s pause and only the freak-show flavor would be lost.  I happen to think “Have You Seen My Sister Evelyn?” is a great ragtime song.  I also enjoyed Jason’s solo rendition of “Elephant Elephant” using the audience for call-backs far more than his version with Amanda as his twin. 

Bearing all this in mind, it is my opinion that both Jason and Amanda have handled this quite badly. 

Jason’s apology on his blog is much less defensive than Amanda’s, his shock at the reaction seems genuine, but he nevertheless manages to keep stumbling.  “I had some fear that the few conjoined twins living in the world might find the project offensive.”  Ouch.  Respect and human rights do not directly correlate to a minority’s numbers.  Someone pointed out that conjoined twins are so few because their infant mortality rate is so high.  Ouch.    

As for Amanda, I don’t know why she tweets or posts so frequently only to be shocked about the fire she draws from her hastily typed statements regarding her often controversial projects.  Let’s not kid ourselves – she obviously likes being an iconoclast, which is fine and in fact admirable, but she so far lacks the poise to handle the inevitable backlash each time she comes roaring onto the scene with another boisterous project.  And, Amanda, you don’t need to let us know you’re PMSing.  If you’d used the word “midget” on me and included that in your apology/excuse, it would not help to redeem you. 

I originally wasn’t going to attend the Berlin show because it’s rather expensive, but now I’m considering proposing a boycott over this issue.  Not because I hate these two for it (I don’t), but because the friends who were reluctant to go over the price would likely tell me to loosen up if ableist politics were my sole reason.  And that could be a good opportunity to confront the prejudices lurking under the liberal badges we love to wear.

 

UPDATE: Any credibility Amanda’s apology had was swiftly obliterated by her performance on this Australian talk show.  She may very well be a feminist and a radical and an activist, but first and foremost, Amanda Palmer is a narcissist.  Possibly the least radical thing you can be in show business.

 

 

Note: This post originally appeared on February 21, 2010 at klompen.livejournal.com

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